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Fingerpicking

Review #19: Travis-Style Guitar From Scratch by Bruce Emery

September 23, 2024 by joemcmurray Leave a Comment

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Is this one of the best or worst method books for acoustic fingerstyle guitar?

You can learn to play music by simultaneously using a variety of resources including teachers, online resources, and books.

This book is a gem!  Travis-Style Guitar From Scratch, written by Bruce Emery, is a method book for learning to play solo fingerstyle guitar using an alternating bass (in the Travis style).  This is one of the best books I’ve found for complete beginner to intermediate players who want to learn this style.  The material progresses logically with lots of exercises that build on each other and lead perfectly into performance pieces (old classics like Oh! Susanna, House of the Rising Sun, Jingle Bells, etc.).  Each time Emery presents a new concept, he incorporates it into updated arrangements of each tune.  Emery’s sense of humor is infused into the text of the book, keeping detailed explanations lighthearted and entertaining without losing sight of the important information. 

I can’t overstate how effective this book is with my students.  Emery will present a single idea like how to play an alternating bass line under an A minor chord.  Then he’ll present a series of exercises in which you play a single melody note each measure while maintaining the alternating bass line.  Each exercise will place that melody note on a different beat within the measure.  This approach provides great training that slowly, steadily, and thoroughly develops your physical skills.

The tunes at the beginning of the book couldn’t be more approachable (as solo arrangements), even for beginner students.  The first arrangements don’t feature any syncopation (the melody notes all land on the down beats), making them much easier.  They don’t sound as complex as the later arrangements, but they sound pretty good for beginner students!  This makes it fun and builds confidence.  It is incredibly valuable to see the same tune arranged multiple times with increasing levels of complexity and difficulty.  Aside from getting physically better at playing guitar in this style, you will gain insight into how to add variations to your own arrangements in the future.

No modern tunes in this book.  However, if you work through this book then you’ll be in a much stronger position to approach popular tune arrangements from other sources.

This book is entirely focused on solo Travis-style playing.  You will not learn Travis-style picking patterns that you might use to accompany yourself while singing.  Your guitar will do the singing!  Also, you will not learn other solo fingerstyle approaches like using block chords, arpeggiation, and other modern percussive techniques.

The book focuses on the keys of G major, C major, and A minor.  Three pages at the end are dedicated to the keys of A major, E major, and D major (in drop D tuning).  The book also keeps you playing down in first position (at the nut of the guitar) – no playing up the neck.  This keeps things more approachable.  No complaining here!

Audio recordings are available for all exercises and tunes!  Just go to the author’s website and download.

All playing examples are provided in tablature (TAB) only!!!  Chords are notated above the TAB.  Rhythms are clearly notated.  I enjoy reading standard notation and teach it to interested students, but I don’t personally think much (if anything) is lost by not providing standard notation for this subject matter.

I recommend using an acoustic steel string guitar rather than a standard classical guitar since there are multiple tunes that utilize the fretting hand thumb over the top.

Published in 2006.

My eBook: Arranging for Fingerstyle Guitar: go to http://joemcmurray.com/checkout/ to purchase a pdf of my eBook.  Learning to arrange melodies will also help your fingerstyle songwriting and your understanding of the inner workings of fingerstyle guitar.

My music is available on all streaming platforms at https://open.spotify.com/artist/5dcokTG6C598OhTslHH5uo?si=hrQb7FViSZewDRSgECw9Ew:

Pins on the Map: my third fingerstyle guitar album was released on January 19, 2024. Watch the first single, “Open Road,” on YouTube here: https://youtu.be/uPBh8sZQsT4?si=EM_wAwnHFqU1VC9C.

Riding the Wave and Acoustic Oasis: my first two fingerstyle guitar albums.

Review #18: Alex de Grassi Fingerstyle Guitar Method

July 9, 2024 by joemcmurray Leave a Comment

https://media.blubrry.com/music_books/content.blubrry.com/music_books/Guitar_Books_Ep_18_Alex_de_Grassi_2024_07_08.mp3

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Is this one of the best or worst method books for acoustic fingerstyle guitar?

You can learn to play music by simultaneously using a variety of resources including teachers, online resources, and books.

The Alex de Grassi Fingerstyle Guitar Method, written by fingerstyle legend Alex de Grassi and produced by Stringletter (the publisher of Acoustic Guitar Magazine), is a method book for learning to play solo fingerstyle guitar.  You will learn many of the nuts and bolts that bolster de Grassi’s technique, musicality, and general style.  This is an amazing book (a 192 page tome of information!), but it is dense and highly technical.

If you are thinking about investing your time into this book, consider what sub-style of fingerstyle you are interested in.  Listen to Alex de Grassi’s playing to see if that is the direction that you want to go in.  I personally love his playing – he uses a lot of classical technique, he has incredible control and clarity, he is extremely melodic, expressive, and musical, he tastefully uses some modern percussive techniques and cross string ideas, and he plays music that sounds like a blend of folk, Celtic, and blues.  If you want to play like Chet Atkins or Tommy Emmanuel, start with a different book.  If you want to play like Andy McKee, Preston Reed, Don Ross, or Mike Dawes, this book has several very applicable chapters and isn’t a bad stepping stone.  This is a great book if you want to be a well-rounded and precise player.

De Grassi claims that this book is for beginner through advanced players.  The first half of the book certainly contains a lot of “beginner” fingerstyle information, but I highly discourage beginner players from starting with this book as their first foray into fingerstyle guitar.  There are more approachable books with easier arrangements and less text.  If you are a big Alex de Grassi fan and you’re dead set on going through this book as a beginner, it would be helpful to work with a teacher and/or to supplement it with another more beginner-oriented method book (see my other videos/reviews).

I think that this book is very beneficial to a late beginner or intermediate player who can already smoothly play some solo fingerstyle arrangements.  This book will tweak your physical techniques, your tone, and your artistic touch (phrasing, articulation, dynamics, etc.).  

Overall, the 2nd half of the book is very “heady” with many advanced concepts that beginners don’t need to bog themselves down with.  These concepts include difficult cross-string ideas, reasons to use alternate tunings, complex rhythmic ideas (cross-rhythms), modern percussive techniques, and ways to add depth and dimension to your sound.

The repertoire in the book consists of traditional tunes and the author’s original tunes.  There are several full song arrangements, but most of the examples are song fragments.  De Grassi breaks down these fragments in great detail in order to demonstrate the topic being discussed in the text.

There is SO much detail in the descriptions.  He gets into the nuances of how to physically perform a technique, where to place your fingers, how to control note durations, etc.   The text is very dense, and it took me a long, long time to get through it.  I recommend listening to each (wonderful) audio example, then reading the text pertaining to that example, and then playing that example.  You will likely need to repeat this process multiple times for each example or topic.

The audio recordings are invaluable for hearing the artistic details, ornamentation, and complex rhythms of the examples.  I don’t think I’ve ever been so tied to the audio recordings of a method book.

All playing examples are provided in standard notation (treble clef) and tablature.

You could use either a steel string acoustic or nylon string classical guitar to work through this book.  You don’t have to fret any bass notes using your thumb over the top (although I like to here and there).

Published in 2012.

My eBook: Arranging for Fingerstyle Guitar: go to http://joemcmurray.com/checkout/ to purchase a pdf of my eBook.  Learning to arrange melodies will also help your fingerstyle songwriting and your understanding of the inner workings of fingerstyle guitar.

My music is available on all streaming platforms at https://open.spotify.com/artist/5dcokTG6C598OhTslHH5uo?si=hrQb7FViSZewDRSgECw9Ew:

Pins on the Map: my third fingerstyle guitar album was released on January 19, 2024. Watch the first single, “Open Road,” on YouTube here: https://youtu.be/uPBh8sZQsT4?si=EM_wAwnHFqU1VC9C.

Riding the Wave and Acoustic Oasis: my first two fingerstyle guitar albums.

Topic Talk #3: Repertoire

May 2, 2024 by joemcmurray Leave a Comment

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Quick advice, tips, and tricks for improving at fingerstyle guitar, ukulele, etc.

Selecting and maintaining a repertoire of tunes is critically important.  Whether you want to casually play for friends/family or you aspire to perform at a local bar/restaurant gig, you should intentionally choose repertoire tunes that suit your desired performance outlet.

Once you’ve built a repertoire, maintaining it can require a lot of work.  To stay performance-ready, you need to plan time for repertoire review into your practice schedule.  How often you review each tune depends on your own abilities.

In the video I discuss a couple options to ease the burden of gig preparation.  You can use sheet music or an iPad on stage, or you could split a gig with another musician.

Keep a notebook with your repertoire list so that you are efficient with your repertoire review and so that you never lose track of a tune.  If you perform for different types of gigs, you will need multiple repertoire lists.

Your repertoire will continually grow and evolve.  Some old arrangements will fall off of your list as you add new ones.

You can learn to play music by simultaneously using a variety of resources including teachers, online resources, and books.

My eBook: Arranging for Fingerstyle Guitar: go to http://joemcmurray.com/checkout/ to purchase a pdf of my eBook.  Learning to arrange melodies will also help your fingerstyle songwriting and your understanding of the inner workings of fingerstyle guitar.

My music is available on all streaming platforms – links on my Linktree page: linktr.ee/joemcmurray

Pins on the Map: my third fingerstyle guitar album was released on January 19, 2024. Watch the first single, “Open Road,” on YouTube here: https://youtu.be/uPBh8sZQsT4?si=EM_wAwnHFqU1VC9C.

Riding the Wave and Acoustic Oasis: my first two fingerstyle guitar albums.

Topic Talk #2: Practicing

March 30, 2024 by joemcmurray Leave a Comment

https://media.blubrry.com/music_books/content.blubrry.com/music_books/Guitar_Books_Topic_Talk_2_Practicing_2024_03_29.mp3

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Quick advice, tips, and tricks for improving at fingerstyle guitar, ukulele, etc.

To progress as a musician and achieve your long-term and short-term goals, it is important to practice well.  Practicing efficiently and effectively will help you to improve faster with less practice time.  This is relevant not only to fingerstyle guitarists and fingerstyle ukulele players, but to all aspiring musicians regardless of their chosen instrument or genre of music.

Think about what your long-term and short-term goals are, and then create a practice plan that will help you achieve those goals.  You can be extremely specific and schedule your time down to the minute. 

Example:

Long term goal: perform a local fingerstyle guitar gig a year from now.

Short term goal: memorize and master one repertoire tune in the next month.

Very short term goal: memorize and master the verse of that repertoire tune in the upcoming week.

Available practice time: you can fit in three 20-minute practice sessions each week.

Monday and Friday practice sessions could each consist of:

-2 minutes warmup routine

-10 minutes working on one line of the verse of your new repertoire song

-8 minutes repertoire review (other tunes that you have been preparing for your performance next year)

Wednesday practice session could consist of:

-1 minute warmup routine

-10 minutes method/technique book

-5 minutes working on one line of the verse of your new repertoire song

4 minutes repertoire review (other tunes that you have been preparing for your performance next year)

Your goals will continually change and your practice schedules must adjust as well.

You can learn to play music by simultaneously using a variety of resources including teachers, online resources, and books.

My eBook: Arranging for Fingerstyle Guitar: go to http://joemcmurray.com/checkout/ to purchase a pdf of my eBook.  Learning to arrange melodies will also help your fingerstyle songwriting and your understanding of the inner workings of fingerstyle guitar.

My music is available on all streaming platforms – links on my Linktree page: linktr.ee/joemcmurray

Pins on the Map: my third fingerstyle guitar album was released on January 19, 2024. Watch the first single, “Open Road,” on YouTube here: https://youtu.be/uPBh8sZQsT4?si=EM_wAwnHFqU1VC9C.

Riding the Wave and Acoustic Oasis: my first two fingerstyle guitar albums.

Topic Talk #1: Musical Goals

March 18, 2024 by joemcmurray Leave a Comment

https://media.blubrry.com/music_books/content.blubrry.com/music_books/Guitar_Books_Topic_Talk_1_Goals_2024_03_05.mp3

Podcast: Play in new window | Download (Duration: 7:01 — 9.7MB) | Embed

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Quick advice, tips, and tricks for improving at fingerstyle guitar, ukulele, etc.

In order to progress as a musician it is important to have clear long-term and short-term goals.  This is relevant not only to fingerstyle guitarists and fingerstyle ukulele players, but to all aspiring musicians regardless of their chosen instrument or genre of music.

Figure out what your long-term goals are.  Make realistic short-term goals that help you progress towards those long-term goals.  In a future Tone Talk episode, I’ll talk about building a specific daily or weekly practice schedule to achieve all of these goals.  In yet another future episode I’ll talk about choosing and maintaining the right repertoire to help you achieve these goals.

You can learn to play music by simultaneously using a variety of resources including teachers, online resources, and books.

My eBook: Arranging for Fingerstyle Guitar: go to http://joemcmurray.com/checkout/ to purchase a pdf of my eBook.  Learning to arrange melodies will also help your fingerstyle songwriting and your understanding of the inner workings of fingerstyle guitar.

My music is available on all streaming platforms – links on my Linktree page: linktr.ee/joemcmurray

Pins on the Map: my third fingerstyle guitar album was released on January 19, 2024. Watch the first single, “Open Road,” on YouTube here: https://youtu.be/uPBh8sZQsT4?si=EM_wAwnHFqU1VC9C.

Riding the Wave and Acoustic Oasis: my first two fingerstyle guitar albums.

Review #17: Hal Leonard Fingerpicking Guitar

March 2, 2024 by joemcmurray Leave a Comment

https://media.blubrry.com/music_books/content.blubrry.com/music_books/Guitar_Books_Ep_17_Hal_Leonard_Fingerpicking_Guitar_2024_03_01.mp3

Podcast: Play in new window | Download (Duration: 26:31 — 36.6MB) | Embed

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Is this one of the best or worst method books for acoustic fingerstyle guitar?

You can learn to play music by simultaneously using a variety of resources including teachers, online resources, and books.

Hal Leonard’s Fingerpicking Guitar, written by Doug Boduch, is a method book for learning to play solo fingerstyle (or “fingerpicking”) guitar or fingerstyle guitar accompaniment.  The book features lots of popular tunes (the Beatles, Adele, Sam Smith, Imagine Dragons, The Police, Toto, Ed Sheeran, etc.).  Overall, It is suitable for beginner through intermediate players with the tunes in the later sections of the book becoming progressively more difficult up to that intermediate skill level.  Advanced players may still find some fun repertoire tunes.  Guitar teachers may find this book to be a great teaching supplement.  The progression of topics is well laid out, the examples and arrangements are playable and sound good, and the text is concise. 

The book is very short at 38 pages.  This is partially due to a lack of detailed explanations, which is part of why this book may work better as a supplement to private lessons or to another more detailed method book.  The book is also short because it just doesn’t have that many examples.  The examples and arrangements are of high quality, but they don’t cover the many nuances that could pop up in the world of fingerstyle guitar.

If you are looking to play solo fingerstyle guitar arrangements of popular/modern tunes, then this book may be for you.  If you are looking for folk, blues, ragtime, Celtic, or classical music, then there are better options.

Fingerpicking Guitar starts with examples of playing easy single-line melodies (Happy Birthday, etc.) with your fingers or thumb.  The book then presents some arrangements that utilize a single, easy-to-grab bass note underneath the melody in each measure.  Later on it focuses on arrangements that feature alternating bass lines (Travis picking).  The book provides some basic arpeggiation examples for accompaniment as well as some arrangements that utilize arpeggiation, but it doesn’t really provide much detail about how to apply arpeggiation underneath a melody in a solo arrangement.  There is no discussion of more complex techniques (natural and artificial harmonics, harmonizing melodies with 3rds, 6ths, etc.), alternate tunings, or more modern percussive techniques.

Don’t confuse this book with Hal Leonard’s Fingerstyle Guitar by Chad Johnson.  There is a similar progression of information, but they are different books.  The older Fingerstyle Guitar also features popular tunes, but is overall lengthier and more detailed.  However, I prefer some of the arrangements in the newer Fingerpicking Guitar, especially for my guitar students.

There is virtually ZERO music theory in Fingerstyle Guitar.  This may appeal to some readers.  However, you won’t learn how to apply the concepts/techniques presented into other musical situations (other tunes, etc.).  With the help of a teacher or another book you could get a lot more out of Fingerpicking Guitar.

The book includes access to online audio or video for every example.  The audio can be slowed down which can be very helpful.  The guitar playing is clean and the recording quality is high.  Example numbers don’t line up between Example 30 and 33, but they are all there.

All playing examples are provided in standard notation (treble clef) and tablature.

You could use either a steel string acoustic or nylon string classical guitar to work through this book.  You don’t have to fret any bass notes using your thumb over the top (although I like to here and there).

Published by Hal Leonard © 2023.

My eBook: Arranging for Fingerstyle Guitar: go to http://joemcmurray.com/checkout/ to purchase a pdf of my eBook.  Learning to arrange melodies will also help your fingerstyle songwriting and your understanding of the inner workings of fingerstyle guitar.

My music is available on all streaming platforms: https://open.spotify.com/artist/5dcokTG6C598OhTslHH5uo?si=hrQb7FViSZewDRSgECw9Ew:

Pins on the Map: my third fingerstyle guitar album was released on January 19, 2024. Watch the first single, “Open Road,” on YouTube here: https://youtu.be/uPBh8sZQsT4?si=EM_wAwnHFqU1VC9C.

Riding the Wave and Acoustic Oasis: my first two fingerstyle guitar albums.

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