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Mel Bay

Review #31: Understanding DADGAD by Doug Young

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Is this one of the best or worst method or repertoire books for learning to play acoustic fingerstyle blues guitar?

You can learn to play music using a variety of resources including teachers, online resources, and books.

Understanding DADGAD for Fingerstyle Guitar is a method book for… learning to play fingerstyle guitar using the wonderous alternate tuning known as DADGAD tuning.  This tuning is often associated with Celtic fingerstyle (Pierre Bensusan and Tony McManus), the British folk revival of the 1960s (Davy Graham), and modern fingerstyle (Andy McKee), but it truly excels in any genre.  

So, if you have some fingerstyle or classical guitar experience and you have an interest in beginning to utilize DADGAD tuning, this book will provide a comprehensive introduction.  Be aware, it is appropriate for intermediate to advanced fingerstyle guitarists.  Do not try to work through this book if you are just starting out with acoustic fingerstyle guitar – you really need to have the basics down before starting in this book.

Understanding DADGAD covers a lot of ground with regards to this alternate tuning, starting out by showing you simple chords, the basics of fretboard navigation, a few easier arrangements, and some accessible ideas for improvisation.  The book provides useful insights into how to leverage your knowledge of standard tuning to facilitate your learning of DADGAD – your 3rd, 4th and 5th strings are tuned the same as in standard tuning, while your 1st, 2nd, and 6th strings are tuned exactly one whole step down.  The book also does a great job introducing you to many of DADGAD’s unique characteristics – the tuning is especially well-suited to the harp-like cross-string technique, the use of drones, and the use of octaves paired with hammer-ons, pull-offs, and slides.

Where the book falls a little flat is that it doesn’t effectively show you how to arrange a tune in DADGAD tuning.  Upon completion of the book, you may have a few cool DADGAD tunes that you can play, but you may not know how to apply your newly acquired familiarity with the tuning to other music.  Personally, I am always arranging tunes for fingerstyle guitar, and while some tunes work great in standard tuning or drop-D, others seem to shine in DADGAD.  I recently arranged the Guns ‘N Roses hit, “Sweet Child of Mine,” to beef up my set-list for bars and breweries, and I started out arranging the tune in standard tuning.  It wasn’t sitting right in the original key, so I transposed it a couple times, but still didn’t like the results.  Finally, I arranged it in DADGAD and voila, the result was lush, musically satisfying, and playable/performable.  Here’s a sample of that arrangement.

My recommendation is that all fingerstyle players learn to arrange tunes in standard tuning, drop-D, and DADGAD.  While Understanding DADGAD doesn’t cover this topic, it does give you lots of tools (intervals, cross-string technique, etc.) to use in any future DADGAD arranging.  In my eBook, Arranging for Fingerstyle Guitar, I show you how to arrange Twinkle, Twinkle, Little Star in multiple keys in standard and alternate tunings (including DADGAD).  You can also check out my video/podcast series: Arranging Melodies for Fingerstyle Guitar, in which I show you how to arrange examples from the Essential Elements Guitar Method.  I’ll put a link to these videos in the corner and in the show description.

A nice supplement to Understanding DADGAD would be another book from our author: A DADGAD Christmas, again, also by Doug Young.  This other book contains great DADGAD arrangements of Christmas carols that you can both play and analyze to gain arranging insights.

Understanding DADGAD provides both treble clef and tablature for each arrangement.  Unfortunately, no fingerings are provided in the music.  For each example, I notated my own fingering in the music, after which I was able to play much more smoothly, accurately, and confidently.  The skill of choosing sensible fingering is important, and you will need to look elsewhere to further develop this skill.

Recordings are available online through Mel Bay’s website.  These will be very helpful to many readers.

© 2008 by Mel Bay

My own books:

Arranging for Fingerstyle Guitar: go to http://joemcmurray.com/checkout/ to purchase a pdf of my eBook.  Learning to arrange melodies will also help your fingerstyle songwriting and your understanding of the inner workings of fingerstyle guitar.

Fingerstyle Blues Guitar: An In-Depth Study of the 12-Bar Blues in E Major – Books 1 and 2 are available in paperback or as an eBook through Amazon [https://a.co/d/g7Udsso (Book 1) and https://a.co/d/aDbh4H0 (Book 2)].  The first priority of these books is to quickly get you playing a solo instrumental 12-bar blues, and then to build on it until you can freely improvise or “jam.” You should be up and running by the end of the third chapter, and each following chapter will add icing on the cake.  There is an focus on using a monotonic bass to maximize melodic freedom, and there is an emphasis on creating lyrical melodies using actual lyrics.

My upcoming book, Arranging for Fingerstyle Ukulele, will be published by Mel Bay in 2026.

My music is available on all streaming platforms at https://open.spotify.com/artist/5dcokTG6C598OhTslHH5uo?si=hrQb7FViSZewDRSgECw9Ew:

Pins on the Map: my third fingerstyle guitar album was released on January 19, 2024. Watch the first single, “Open Road,” on YouTube here: https://youtu.be/uPBh8sZQsT4?si=EM_wAwnHFqU1VC9C.

Riding the Wave and Acoustic Oasis: my first two fingerstyle guitar albums.

Review #9: Complete Country Blues Guitar Book by Stefan Grossman

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You can learn to play music using a variety of resources including teachers, online resources, and books.

Stefan Grossman’s Complete Country Blues Guitar Book is a repertoire book of various substyles of fingerstyle blues (general old time country blues, Delta blues, ragtime blues, Texas blues, and bottleneck blues).  Most of the tunes are suitable for late-beginner and intermediate fingerstyle players, although advanced players will certainly enjoy the tunes as well.  The music in this book may sound “old-timey” (much of it comes from the 1920s and 30s), but it is really fun to play if you are interested in the style.  Aside from the large selection of tunes, the book provides tons of cool history, interviews of blues players (Skip James and W.C. Handy), and historical photos – makes for a great coffee table book!

The book is organized into sections for each substyle of fingerstyle blues.  At the beginning of each section there is a textual description and history of the blues substyle being presented.  Before each tune, there is a description of where that tune originated from, who played it in this style, important recordings to listen to, and some technical performance details.

Most of the tunes provide you with a single progression of the tune – sometimes only 20 or 30 seconds long.  In a real performance you would probably want to repeat the form multiple times with singing, variations, or improvisation.  My only complaint about the book is that it would have been helpful if the author had explained this a bit more.  However, if you take the listening recommendations seriously then you will get the idea.

The book provides both treble clef and tablature.  There are no right or left-hand fingerings provided (except occasionally in the description before the tune).  The tablature is unusual in that the fret numbers are written between the lines instead of on the lines, but I quickly adjusted to it without any problem.

The majority of the tunes use standard tuning.  However, alternate tunings are used extensively within the sections on “Country Blues Guitar: The Alternating Bass and Open Tunings” and “Bottleneck Blues Guitar.”

This is a repertoire book full of song arrangements.  This is not a method book that teaches you the fundamentals of how to play fingerstyle blues guitar.  However, if you have some fingerstyle experience, then this book will provide you with a lifetime of fun (at almost 260 pages, it will literally last you a very long time).

  1. Authentic fingerstyle blues tunes from various substyles.
  2. Great organization.
  3. Good difficulty graduation – easier tunes to start each section.
  4. Short tunes.
  5. Lots of alternating bass and monotonic bass
  6. Strange tablature will take a few minutes to adjust to.
  7. No fingerings for right or left hand.
  8. No audio access, but there are lots of listening recommendations that are helpful.

The book doesn’t get into the modern percussive techniques used by modern players like Michael Hedges, Don Ross, Andy McKee, Mike Dawes, etc.  No thumb slaps, guitar body percussion, or tapping.

I recommend using an acoustic steel string guitar rather than a classical guitar since there are multiple tunes that utilize the fretting hand thumb over the top.  You will need a slide for the final section, but you can use it with your normal guitar.

Published by Mel Bay Publications.  © 1992

eBook: Arranging for Fingerstyle Guitar: go to http://joemcmurray.com/checkout/ to purchase a pdf of my eBook.

Riding the Wave: my second fingerstyle guitar album is available on all streaming platforms.

Review #3: Complete Chet Atkins Guitar Method

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You can learn to play music using a variety of resources including teachers, online resources, and books.

Mel Bay’s Complete Chet Atkins Guitar Method is an excellent method book aimed at beginner and intermediate guitar players who want to learn to play solo fingerstyle guitar arrangements in the style of Chet Atkins (the majority of which utilize an alternating bass/ Travis Style).  If you are interested in this country-blues style of playing that Chet Atkins made popular starting in the 1950s and lasting until his death in 2001, this is a great place to start.  This book ranges in difficulty from easy to intermediate, although a few of the final arrangements are fairly difficult.

  1. Starts with the very basics of music and playing the guitar, but focused on fingerstyle and fairly quickly gets you playing music with both melody and bass parts.
  2. Excellent and thorough look at playing solo fingerstyle arrangements utilizing alternate bass patterns.  Goes through one key signature at a time and covers all the normal guitar-friendly keys (C, Am, G, Em, F, Dm, D, Bm, A, F#m, E).
  3. Very accessible tunes that you can learn and perform.  Many of these tunes are old folks songs – you won’t find any arrangements of popular modern music.
  4. Useful picking exercises to develop technique.
  5. Several classical-esque tunes that are refreshing after lots of alternate bass.
  6. All standard tuning until the final arrangements (a couple are in alternate tunings).
  7. This book does not get into the modern percussive techniques used by modern players like Michael Hedges, Don Ross, Andy McKee, Mike Dawes, etc. No thumb or string slaps, guitar body percussion, or tapping.
  8. Audio Access included.

This is not a bad first fingerstyle guitar book to purchase and work through.  Obviously working with a teacher will streamline your development and prevent you from developing bad habits.  If you make it through this book, you’ll have a great foundation for playing fingerstyle guitar.  You’ll also learn some useable and fun arrangements of old tunes.

I recommend using an acoustic steel string guitar rather than a classical guitar since there are multiple tunes that utilize the fretting hand thumb over the top.

Published by Mel Bay, written by Chet Atkins.  © 1993

My eBook: Arranging for Fingerstyle Guitar: go to https://joemcmurray.com/index.php/merch/ to purchase a pdf of my eBook.

Riding the Wave: my second fingerstyle guitar album is available on all streaming platforms.