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Comparison #3: Best Fingerstyle Blues Repertoire Books

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Looking to learn new fingerstyle blues tunes to play on your acoustic guitar?  This is a rundown of my favorite fingerstyle blues repertoire books.

Hopefully you have already seen my previous video of “Best Fingerstyle Blues Method Books.”  Method books provide a guided course of study with explanatory text, exercises, example tune arrangements, etc.  In this video I will be talking about my favorite fingerstyle blues repertoire books, which simply provide tune arrangements and possibly some background info for each tune.

I’ve been through many, many books, and I have been teaching and performing professionally for over a decade, so hopefully my insights can help guide you to the book that is best for you!

Be aware that all of these repertoire books provide standard notation and tablature, and most of them do NOT provide any picking or fretting hand fingering.  Working out optimal fingering is extremely important when learning an arrangement – good fingering choices make playing easier and minimize the potential for mistakes.

Best Repertoire Books

1) The Complete Acoustic Blues Guitar Method (Mann, 2014)

Repertoire book that presents lots of tunes from across the many subgenres of fingerstyle blues.  These are solid arrangements that occasionally provide multiple choruses to show variations- this is extremely valuable for extending short tunes into performance length pieces.  It is also worth analyzing the author’s variations so that you can learn to create your own!

Late beginner to advanced, but majority of the tunes are of an intermediate difficulty.

I really like the organization of the book: tunes are organized by subgenre, and within each section the tunes are arranged from easiest to hardest. 

Each tune comes with nice historical background info and listening recommendations.

2) 12-Bar Fingerstyle Blues (Rubin, 2012)

Repertoire book.

Mostly intermediate.

More repetitive grooves than some of the other fingerstyle blues books on the market.  Fewer lyrical phrases in the melodies. 

I like that the tunes organized by subgenre, but the difficulty jumps around from tune to tune.

For experienced players, this is a fast book to work through.  Because each tune is a 12-bar chorus, you will get a lot of ideas that you can digest, combine, and make your own in the future.

Next, I want to introduce a special book that doesn’t quite fit into the simple “Repertoire Book” category:

3) The New Art of Ragtime Guitar (Saslow, 2011, 2017 2nd Ed.)

This book is essentially a repertoire book of ragtime blues tunes, but the analysis that accompanies each tune is extensive and extremely valuable.

Late beginner to advanced and difficulty progresses with each tune.

These tunes are really fun, and you will gain valuable insight from the analysis.  The author coaches you through fingering choices, his use of guide, anchor, or pivot fingers, etc.  These lessons will make you a better player.

4) Fingerstyle Blues Songbook (James, 2005)

Another repertoire book with good arrangements and historical background info.

Honestly, it’s not all that much different from Woody Mann’s The Complete Acoustic Blues Guitar Method, but this book is much shorter.

Late-beginner to intermediate, although advanced players will certainly enjoy the tunes as well.

5) Complete Country Blues Guitar Book (Grossman, 1992)

Repertoire book.  Good arrangements.  Lots of authentic tunes.

Stefan Grossman is an incredible musicologist who helped rediscover and promote much of the old fingerstyle blues music of the 1920s and 30s.  I really like the interviews and historical information that he has included making this a great coffee table book.

Late-beginner to intermediate.

Tunes organized by subgenre.

Strange TAB.

*6) Solo Blues Guitar (Rubin, 2006)

Repertoire – I’m putting this book at the end because it is NOT a fingerstyle blues guitar book.  The examples can be played fingerstyle, but most seem to work best with a plectrum/pick/flatpick.  However, I want to include this book for a couple reasons:

  1. It is focused on solo blues guitar arrangements
  2. I LOVE this book.  These examples are fun and they inspire me to improvise in new ways with new grooves.

Like Rubin’s 12-Bar Fingerstyle Blues, these tunes also feature repetitive grooves alternating with melodic lines and licks, rather than choruses focused on lyrical melodies.

My own books:

Fingerstyle Blues Guitar: An In-Depth Study of the 12-Bar Blues in E Major – Books 1 and 2 are available in paperback or eBook through Amazon [https://a.co/d/g7Udsso (Book 1) and https://a.co/d/aDbh4H0 (Book 2)]. The first priority of these books is to quickly get you playing a solo instrumental 12-bar blues, & then to build on it until you can freely improvise or “jam.” You should be up and running by the end of the third chapter, and each following chapter will add icing on the cake.

Arranging for Fingerstyle Guitar: go to http://joemcmurray.com/checkout/ to purchase a pdf of my eBook.

Arranging for Fingerstyle Ukulele, will be published by Mel Bay in 2026.

My music is available on all streaming platforms at https://open.spotify.com/artist/5dcokTG6C598OhTslHH5uo?si=hrQb7FViSZewDRSgECw9Ew:

Pins on the Map: my third fingerstyle guitar album was released on January 19, 2024. Watch the first single, “Open Road,” on YouTube here: https://youtu.be/uPBh8sZQsT4?si=EM_wAwnHFqU1VC9C.

Riding the Wave and Acoustic Oasis: my first two fingerstyle guitar albums.

Review #9: Complete Country Blues Guitar Book by Stefan Grossman

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You can learn to play music using a variety of resources including teachers, online resources, and books.

Stefan Grossman’s Complete Country Blues Guitar Book is a repertoire book of various substyles of fingerstyle blues (general old time country blues, Delta blues, ragtime blues, Texas blues, and bottleneck blues).  Most of the tunes are suitable for late-beginner and intermediate fingerstyle players, although advanced players will certainly enjoy the tunes as well.  The music in this book may sound “old-timey” (much of it comes from the 1920s and 30s), but it is really fun to play if you are interested in the style.  Aside from the large selection of tunes, the book provides tons of cool history, interviews of blues players (Skip James and W.C. Handy), and historical photos – makes for a great coffee table book!

The book is organized into sections for each substyle of fingerstyle blues.  At the beginning of each section there is a textual description and history of the blues substyle being presented.  Before each tune, there is a description of where that tune originated from, who played it in this style, important recordings to listen to, and some technical performance details.

Most of the tunes provide you with a single progression of the tune – sometimes only 20 or 30 seconds long.  In a real performance you would probably want to repeat the form multiple times with singing, variations, or improvisation.  My only complaint about the book is that it would have been helpful if the author had explained this a bit more.  However, if you take the listening recommendations seriously then you will get the idea.

The book provides both treble clef and tablature.  There are no right or left-hand fingerings provided (except occasionally in the description before the tune).  The tablature is unusual in that the fret numbers are written between the lines instead of on the lines, but I quickly adjusted to it without any problem.

The majority of the tunes use standard tuning.  However, alternate tunings are used extensively within the sections on “Country Blues Guitar: The Alternating Bass and Open Tunings” and “Bottleneck Blues Guitar.”

This is a repertoire book full of song arrangements.  This is not a method book that teaches you the fundamentals of how to play fingerstyle blues guitar.  However, if you have some fingerstyle experience, then this book will provide you with a lifetime of fun (at almost 260 pages, it will literally last you a very long time).

  1. Authentic fingerstyle blues tunes from various substyles.
  2. Great organization.
  3. Good difficulty graduation – easier tunes to start each section.
  4. Short tunes.
  5. Lots of alternating bass and monotonic bass
  6. Strange tablature will take a few minutes to adjust to.
  7. No fingerings for right or left hand.
  8. No audio access, but there are lots of listening recommendations that are helpful.

The book doesn’t get into the modern percussive techniques used by modern players like Michael Hedges, Don Ross, Andy McKee, Mike Dawes, etc.  No thumb slaps, guitar body percussion, or tapping.

I recommend using an acoustic steel string guitar rather than a classical guitar since there are multiple tunes that utilize the fretting hand thumb over the top.  You will need a slide for the final section, but you can use it with your normal guitar.

Published by Mel Bay Publications.  © 1992

eBook: Arranging for Fingerstyle Guitar: go to http://joemcmurray.com/checkout/ to purchase a pdf of my eBook.

Riding the Wave: my second fingerstyle guitar album is available on all streaming platforms.